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#Logic x pro synths unavailable Patch
This allowed me to enter patch names and bank-change protocols so that I could call up patches and banks directly from within Logic's Main page Inspector window. That's all easy enough, but some years ago, back when Logic users had to make frequent visits to the Environment pages just to make things work, I set up all my external MIDI instruments as multitimbral Environment objects. Individual effects and processing plug-ins can then be added to your new audio tracks after recording in the usual way. To stop other MIDI channels from playing while you record individual parts as audio, use the Mute tool to mute all the MIDI regions in the tracks you are not recording in that pass. The External MIDI instrument will still play and its audio will still be routed to the audio interface: the track mute button affects only the audio you would have heard from the External MIDI Instrument track. Otherwise, at some point you'll probably want to record the synth parts as audio so that you can apply individual effects and EQ to the different parts of a multitimbral source.ĭespite numerous suggestions to our Apple contacts, Logic's bounce-in-place doesn't work for external MIDI, but it is easy enough to create a new audio track with the input set to the interface inputs where your synth is connected, then record that - though you must first mute the MIDI instrument track so you only monitor the sound from the new audio track.
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Of course, if you've got enough separate outputs on your instruments and inputs on your interface you can leave your external MIDI as 'live' sources right through to your final mix. Also, whatever you insert there will be applied to all the parts coming from a multitimbral instrument unless it has multiple outputs routed individually into Logic and sending separate audio streams. At this point, patch selection can be handled by inserting Bank Select and Program Change messages in the Event List, or you can choose to set these directly on the external synth using its own front‑panel controls.Īn important fact to note here, however, is that although each External MIDI track displays the usual areas for inserting audio effects plug-ins, only the ones in the first track will actually do anything. Hit Record in Logic and you can record MIDI just as you would with a software instrument, but now your external synth is providing the sounds. Open the External plug-in and you'll see that the settings you entered when creating the track are all in place. The track that you get looks just like a software instrument track but you'll see an External plug-in inserted instead of an instrument. If you need more than one synth track, as would be the case for a multitimbral instrument, just enter the number in the field at the bottom of the New Track screen and you'll get multiple tracks, all set to consecutive MIDI channels. In the Output section select the MIDI port connected to your synth, select the MIDI channel and, in the box below, set the audio output to the main stereo output (1‑2), or to wherever else you wish to route the audio from the synth. In the box directly below the track type, select the audio interface input(s), mono or stereo, to which your synth is physically connected - 'Presonus 7/8', in the screen shown above.
#Logic x pro synths unavailable software
It is actually easy enough if all you have is a single mono- or multitimbral synth: create a new track, select Software Instrument as the track type and then choose External MIDI in the upper‑left MIDI input box. The way that Logic handles external MIDI instruments such as hardware synths and drum machines has changed over time, and some people now find the method less than totally obvious.
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Play and record external MIDI instruments in Logic. The External MIDI option can be found in the upper left MIDI input box on Software Instrument tracks.